sacks oliver awakenings
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RUR 1371
Hailed as a medical classic, and the subject of a major feature film as well as radio and stage plays and various TV documentaries, Awakenings by Oliver Sacks is the extraordinary account of a group of twenty patients. Rendered catatonic by the sleeping-sickness epidemic that swept the world just after the First World War, all twenty had spent forty years in hospital: motionless and speechless; aware of the world around them, but exhibiting no interest in it – until Dr Sacks administered the then-new drug, L-DOPA, which caused them, temporarily, to awake from their decades-long slumber . . .
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Oliver Sacks died in August 2015 at his home in Greenwich Village, surrounded by his close friends and family. He was 82. He spent his final days doing what he loved: playing the piano, swimming, enjoying smoked salmon - and writing . . . As Dr Sacks looked back over his long, adventurous life his final thoughts were of gratitude. In a series of remarkable, beautifully written and uplifting meditations, in Gratitude Dr Sacks reflects on and gives thanks for a life well lived, and expresses his thoughts on growing old, facing terminal cancer and reaching the end. I cannot pretend I am without fear. But my predominant feeling is one of gratitude. I have loved and been loved; I have been given much and I have given something in return; I have read and travelled and thought and written. I have had an intercourse with the world, the special intercourse of writers and readers. Above all, I have been a sentient being, a thinking animal, on this beautiful planet, and that in itself has been an enormous privilege and adventure.
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RUR 2270
Have you ever seen something that wasn't really there? Heard someone call your name in an empty house? Sensed someone following you and turned around to find nothing? Hallucinations don't belong wholly to the insane. Much more commonly, they are linked to sensory deprivation, intoxication, illness, or injury. In some conditions, hallucinations can lead to religious epiphanies or even the feeling of leaving one's own body. Humans have always sought such life-changing visions, and for thousands of years have used hallucinogenic compounds to achieve them. In Hallucinations, with his usual elegance, curiosity, and compassion, Dr Oliver Sacks weaves together stories of his patients and of his own mind-altering experiences to illuminate what hallucinations tell us about the organization and structure of our brains, how they have influenced every culture's folklore and art, and why the potential for hallucination is present in us all, a vital part of the human condition.
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RUR 2261
In The Mind's Eye, Oliver Sacks tells the stories of people who are able to navigate the world and communicate with others despite losing what many of us consider indispensable senses and abilities: the power of speech, the capacity to recognize faces, the sense of three-dimensional space, the ability to read, the sense of sight. For all of these people, the challenge is to adapt to a radically new way of being in the world. There is Lilian, a concert pianist who becomes unable to read music and eventually even to recognize everyday objects; and Sue, a neurobiologist who has never seen in three dimensions, until she suddenly acquires stereoscopic vision in her fifties. There is Pat, who, after years of isolation, reinvents herself as an outgoing and highly social member of her community, although she has aphasia and cannot utter a sentence; and Howard, a prolific novelist who must find a way to continue his life as a writer even after a stroke destroys his ability to read. And there is Dr Sacks himself, who tells the story of his own eye cancer and the bizarre and disconcerting effects of losing vision to one side. Sacks explores here some very strange paradoxes - people who can see perfectly but not recognize their own children, blind people who become hyper-visual, or who navigate by 'tongue vision'. Along the way, he considers more fundamental questions: How do we see? How do we think? How important is internal imagery - or vision, for that matter? Why is it that, although writing is only five thousand years old, humans have a universal, seemingly innate, potential for reading? The Mind's Eye is a testament to the complexity of vision and the brain and to the power of creativity and adaptation. And it provides a whole new perspective on the power of language and communication, as we try to imagine what it is to see with another person's eyes, or another person's mind.
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RUR 1036
How does the brain perceive and interpret information from the eye? And what happens when the process is disrupted? In The Mind’s Eye, Oliver Sacks tells the stories of people who are able to navigate the world and communicate with others despite losing what many of us consider indispensable senses and abilities: the capacity to recognize faces, the sense of three-dimensional space, the ability to read, the sense of sight. For all of these people, the challenge is to adapt to a radically new way of being in the world – and The Mind’s Eye is testament to the myriad ways that we, as humans, are capable of rising to this challenge.
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RUR 2261
When Oliver Sacks, a physician by profession, injured his leg while climbing a mountain, he found himself in an unusual position - that of patient. The injury itself was severe, but straightforward to fix; the psychological effects, however, were far less easy to predict, explain, or resolve: Sacks experienced paralysis and an inability to perceive his leg as his own, instead seeing it as some kind of alien and inanimate object, over which he had no control. A Leg to Stand On is both an account of Sacks' ordeal and subsequent recovery, and an exploration of the ways in which mind and body are inextricably linked.
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RUR 1028
When Oliver Sacks was twelve years old, a perceptive schoolmaster wrote: 'Sacks will go far, if he does not go too far'. It is now abundantly clear that Sacks has never stopped going. With unbridled honesty and humour, Sacks writes about the passions that have driven his life - from motorcycles and weight lifting to neurology and poetry. He writes about his love affairs, both romantic and intellectual; his guilt over leaving his family to come to America; his bond with his schizophrenic brother; and the writers and scientists - W. H. Auden, Gerald M. Edelman, Francis Crick - who have influenced his work. On the Move is the story of a brilliantly unconventional physician and writer, a man who has illuminated the many ways that the brain makes us human.
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RUR 1028
When Oliver Sacks was twelve years old, a perceptive schoolmaster wrote: 'Sacks will go far, if he does not go too far'. It is now abundantly clear that Sacks has never stopped going. With unbridled honesty and humour, Sacks writes about the passions that have driven his life - from motorcycles and weight lifting to neurology and poetry. He writes about his love affairs, both romantic and intellectual; his guilt over leaving his family to come to America; his bond with his schizophrenic brother; and the writers and scientists - W. H. Auden, Gerald M. Edelman, Francis Crick - who have influenced his work. On the Move is the story of a brilliantly unconventional physician and writer, a man who has illuminated the many ways that the brain makes us human.
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RUR 2378
Two weeks before his death, Oliver Sacks outlined the contents of The River of Consciousness, the last book he would oversee... The bestselling author of On the Move, Musicophilia, and The Man Who Mistook His Wife for a Hat, Sacks is known for his illuminating case histories about people living with neurological conditions at the far borderlands of human experience. But his grasp of science was not restricted to neuroscience or medicine; he was fascinated by the issues, ideas, and questions of all the sciences. That wide-ranging expertise and passion informs the perspective of this book, in which he interrogates the nature not only of human experience but of all life. In The River of Consciousness, Dr. Sacks takes on evolution, botany, chemistry, medicine, neuroscience, and the arts, and calls upon his great scientific and creative heroes - above all, Darwin, Freud, and William James. For Sacks, these thinkers were constant companions from an early age; the questions they explored - the meaning of evolution, the roots of creativity, and the nature of consciousness - lie at the heart of science and of this book. The River of Consciousness demonstrates Sacks's unparalleled ability to make unexpected connections, his sheer joy in knowledge, and his unceasing, timeless endeavor to understand what makes us human.
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RUR 1036
As with his previous bestseller, The Man Who Mistook His Wife for a Hat, in An Anthropologist on Mars Oliver Sacks uses case studies to illustrate the myriad ways in which neurological conditions can affect our sense of self, our experience of the world, and how we relate to those around us. Writing with his trademark blend of scientific rigour and human compassion, he describes patients such as the colour-blind painter or the surgeon with compulsive tics that disappear in the operating theatre; patients for whom disorientation and alienation – but also adaptation – are inescapable facts of life.
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RUR 2482
Always fascinated by islands, Oliver Sacks is drawn to the Pacific by reports of the tiny atoll of Pingelap, with its isolated community of islanders born totally colour-blind; and to Guam, where he investigates a puzzling paralysis endemic there for a century. Along the way, he re-encounters the beautiful, primitive island cycad trees - and these become the starting point for a meditation on time and evolution, disease and adaptation, and islands both real and metaphorical in The Island of the Colour-Blind.
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RUR 772
Two weeks before his death, Oliver Sacks outlined the contents of The River of Consciousness, the last book he would oversee. The best-selling author of On the Move, Musicophilia, and The Man Who Mistook His Wife for a Hat, Sacks is known for his illuminating case histories about people living with neurological conditions at the far borderlands of human experience. But his grasp of science was not restricted to neuroscience or medicine; he was fascinated by the issues, ideas, and questions of all the sciences. That wide-ranging expertise and passion informs the perspective of this book, in which he interrogates the nature not only of human experience but of all life.In The River of Consciousness, Dr. Sacks takes on evolution, botany, chemistry, medicine, neuroscience, and the arts, and calls upon his great scientific and creative heroes?above all, Darwin, Freud, and William James. For Sacks, these thinkers were constant companions from an early age; the questions they explored?the meaning of evolution, the roots of creativity, and the nature of consciousness?lie at the heart of science and of this book.The River of Consciousness demonstrates Sacks’s unparalleled ability to make unexpected connections, his sheer joy in knowledge, and his unceasing, timeless endeavor to understand what makes us human. .
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RUR 772
Two weeks before his death, Oliver Sacks outlined the contents of The River of Consciousness, the last book he would oversee. The best-selling author of On the Move, Musicophilia, and The Man Who Mistook His Wife for a Hat, Sacks is known for his illuminating case histories about people living with neurological conditions at the far borderlands of human experience. But his grasp of science was not restricted to neuroscience or medicine; he was fascinated by the issues, ideas, and questions of all the sciences. That wide-ranging expertise and passion informs the perspective of this book, in which he interrogates the nature not only of human experience but of all life.In The River of Consciousness, Dr. Sacks takes on evolution, botany, chemistry, medicine, neuroscience, and the arts, and calls upon his great scientific and creative heroes?above all, Darwin, Freud, and William James. For Sacks, these thinkers were constant companions from an early age; the questions they explored?the meaning of evolution, the roots of creativity, and the nature of consciousness?lie at the heart of science and of this book.The River of Consciousness demonstrates Sacks’s unparalleled ability to make unexpected connections, his sheer joy in knowledge, and his unceasing, timeless endeavor to understand what makes us human. .
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RUR 1870
With his trademark compassion and erudition, Dr Oliver Sacks examines the power of music through the individual experiences of patients, musicians, and everyday people. Among them: a surgeon who is struck by lightning and suddenly becomes obsessed with Chopin; people with 'amusia', to whom a symphony sounds like the clattering of poets and pans; and a man whose memory spans only seven seconds - for everything but music. Dr Sacks describes how music can animate people with Parkinson's disease who cannot otherwise move, give words to stroke patients who cannot otherwise speak, and calm and organize people who are deeply disoriented b Alzheimer's or schizophrenia. This classic of neurology is a book that alters our conception of who we are and how we function, and shows us an essential part of what it is to be human. Fascinating. Music, as Sacks explains, "can pierce the heart directly". And this is the truth that he so brilliantly focuses upon - that music saves, consoles and nourishes us. Daily Mail An elegantly outlined series of case studies . . . which reveal the depth to which music grips so many people. Observer A humane discourse on the fragility of our minds, of the bodies that give rise to them, and of the world they create for us. This book is filled with wonders Daily Telegraph
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RUR 3819
Oliver Sacks' compassionate tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own minds. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians and everyday people - those struck by affliction, unusual talent and even, in one case, by lightning - to show not only that music occupies more areas of our brain than language does, but also that it can torment, calm, organize and heal. Always wise and compellingly readable, these stories alter our conception of who we are and how we function, and show us an essential part of what it is to be human.
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RUR 1106
In his previous books, Oliver Sacks had addressed questions of the brain and mind through the lens of case histories of individuals with neurological disorders. Recently, however, he had been reflecting on his experiences with such patients in the context of a lifetime of medical practice, and in light of recent neuroscientific evidence and theories. The River of Consciousness will be a broader and more direct look at how the brain and mind work, as always, incorporating Sacks’ rich historical and personal context. Advances in neuroscience have revolutionized our ability to visualize the brain in action. For the first time we are able to close the gap between the philosophical questions which have consumed the world’s thinkers since the eighteenth century and the true physiological basis of perception and consciousness. In The River of Consciousness, Sacks will examine questions of memory, time, and consciousness. How do we think, how do we remember? Do different individuals have different speeds or ways of thinking? Is memory reliable? How do the neural correlates of memory differ for true memories and false memories? How do we construct our sense of time, our visual world? What is consciousness, neurologically speaking? And most importantly, what is creativity? Sacks completed the research for this book before he died, and with instructions on how it was to be put together. This is a remarkable culmination of a lifetime’s research into the way the brain works.