roth philip our gang
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Philip Roth's entire oeuvre - 31 books - to be reissued in electric new Vintage jackets for October 2016 'Disturbing, logical and very funny... In short, a masterpiece' New York Times Book Review A ferocious political satire in the great tradition of Jonathan Swift and Mark Twain, Our Gang is Philip Roth's brilliantly acerbic response to the phenomenon of Richard M. Nixon. In the character of Trick E. Dixon, Roth portrays an American president who outdoes the severest cynic; a peace-loving Quaker and believer in the sanctity of human life who doesn't have a problem with killing unarmed women and children. A master politician with an honest sneer, he finds himself battling the Boy Scouts, declaring war on pro-pornography Denmark, all the time trusting in the basic indifference of the voting public. Tricky is the unprincipled self-seeker who hides his heartlessness behind the anaesthetising cliches of high office, whose public language is a merciless parody of that 'candid' Presidential prose which is merely double-talk, or as Orwell put it, 'pure wind'.
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Philip Roth's entire oeuvre - 31 books - to be reissued in electric new Vintage jackets for October 2016 'Subtle, funny and furious' Observer What if a lookalike stranger stole your name, hijacked your biography, and went about the world pretending to be you? Startlingly, Philip Roth meets a man in Jerusalem called Philip Roth who has been touring Israel - riding high on the author's reputation - preaching a bizarre reverse-exodus of the Jews, encouraging them to return to their ancestral homes in Europe. Roth decides to stop him, even if that means impersonating the impersonator. Operation Shylock is at once spy story, political thriller, meditation on identity and unfathomable journey through a volatile, frightening middle-east.
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Set in a Newark neighborhood during a terrifying polio outbreak, Nemesis is a wrenching examination of the forces of circumstance on our lives. Bucky Cantor is a vigorous, dutiful twenty-three-year-old playground director during the summer of 1944. A javelin thrower and weightlifter, he is disappointed with himself because his weak eyes have excluded him from serving in the war alongside his contemporaries. As the devastating disease begins to ravage Bucky’s playground, Roth leads us through every inch of emotion such a pestilence can breed: fear, panic, anger, bewilderment, suffering, and pain. Moving between the streets of Newark and a pristine summer camp high in the Poconos, Nemesis tenderly and startlingly depicts Cantor’s passage into personal disaster, the condition of childhood, and the painful effect that the wartime polio epidemic has on a closely-knit, family-oriented Newark community and its children.
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Winner of the PEN/Faulkner Award for Fiction Everyman is a candidly intimate yet universal story of loss, regret and stoicism. The novel takes its title from a classic of early English drama, whose theme is the summoning of the living to death. The fate of Roth's everyman is traced from his first shocking confrontation with death on the idyllic beaches of his childhood summers, through the family trials and professional achievements of his vigorous adulthood, and into his old age when he is stalked with physical woes. The terrain of this powerful novel is the human body. Its subject is the common experience that terrifies us all.
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Now a major motion picture starring Sarah Gadon, Logan Lerman and Ben Rosenfield, and adapted for the screen by James Schamus During the second year of the Korean War in 1951, studious, law-abiding Marcus Messner is beginning his sophomore year on the conservative campus of Ohio's Winesburg College. Marcus has fled from his hometown of Newark, New jersey, trying to escape his father's oppressive love - a love that is also a mad fear of the dangers of adult life soon to face his son. Whilst at college, Marcus has to traverse an American world that isn't his own: facing off against ardent Christian, Dean Cauldwell, and falling in love with the beautiful Olivia Hutton. Indignation gleams with narrative muscle, as it twists and turns unpredictably, and extends - shockingly - beyond the confines of natural life.
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It's the sweltering summer of 1944, and Newark is in the grip of a terrifying epidemic. Decent, athletic twenty-three year old playground director Bucky Cantor is devoted to his charges and ashamed with himself because his weak eyes have excluded him from serving in the war alongside his contemporaries. As polio begins to ravage Bucky's playground - child by helpless child - Roth leads us through every emotion such a pestilence can breed: the fear, the panic, the anger, the bewilderment, the suffering and the pain.
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He is a middle-aged American writer called Philip; she is an articulate, well-educated Englishwoman trapped in a loveless and humiliating marriage. In Philip's London studio, this play of voices - sharp, tender and inquiring - reveals both their past lives with startling clarity. Deception is fiendishly clever, as it dances with the conventions of the novel, and redefines the boundaries between fiction and reality.
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Philip Roth's hilarious novel about sex, growing up, psychoanalysis, now reissued in electric new backlist style 'The most outrageously funny book about sex written' Guardian Portnoy's Complaint n. [after Alexander Portnoy (1933-)]:A disorder in which strongly-felt ethical and altruistic impulses are perpetually warring with extreme sexual longings, often of a perverse nature. Portnoy's Complaint tells the tale of young Jewish lawyer Alexander Portnoy and his scandalous sexual confessions to his psychiatrist. As narrated by Portnoy, he takes the reader on a journey through his childhood to adolescence to present day while articulating his sexual desire, frustration and neurosis in shockingly candid ways. Hysterically funny and daringly intimate, Portnoy's Complaint was an immediate bestseller upon its publication and elevated Roth to an international literary celebrity.
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Like a latter-day Gregor Samsa, Professor David Kepesh wakes up one morning to find that he has been transformed. But where Kafka's protagonist turned into a monstrous cockroach, the narrator of Philip Roth's fantasy has become a 155-pound female breast. What follows is a deliriously funny yet moving exploration of the full implications of Kepesh's metamorphosis; audacious, heretical - as darkly hilarious as it is existentially unnerving - making new the silliness, triviality and wonderful meaninglessness of lived human experience.
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Following the wild success of his novel, Carnovsky, Nathan Zuckerman has been catapulted into the literary limelight. As he ventures out onto the streets of Manhattan he finds himself accosted on all sides, the target of admonishers, advisers, would-be literary critics, and – worst of all – fans. An incompetent celebrity, ill at ease with his newfound fame, and unsure of how to live up to his fictional creation’s notoriety, Zuckerman flounders his way through a high-profile affair, the disintegration of his family life, and fends off the attentions of his most tenacious fan yet, as the turbulent decade of the sixties draws to a close around him. But beneath the uneasy glamour are the spectres of the recently murdered Robert Kennedy and Martin Luther King, Jr., and an unsettled Zuckerman feels himself watched…
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Reissued in electric new backlist style for October 2016, The Counterlife was lauded by the likes of John Updike, Martin Amis, Julian Barnes, John Banville and James Wood, as well as winning the National Book Critics Circle Award for Fiction Winner of the National Book Critics Circle Award for Fiction The Counterlife is about people living their dreams of renewal and escape, some of them going so far as to risk their lives to alter their destinies. Wherever they find themselves, the characters of The Counterlife are tempted by the prospect of an alternative existence. Illuminating these lives in free-fall and transformation is the acrobat mind of novelist Nathan Zuckerman. His is the sceptical, enveloping intelligence that calculates the price that's paid in the struggle to change personal fortune and reshape history, whether in a dentist's office in suburban New Jersey; a tradition-bound English Village in Gloucestershire; a church in London's West End; or in a tiny desert settlement in Israel's occupied West Bank. Shot through with head-turning dualities, as daring as it is moving, The Counterlife reinvents the novel with style, wit and grace.
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Gabe Wallach, freshly discharged from the Korean War army, reeling from his mother's recent death, and thus freed from old attachments, is hungrily seeking new ones. He's drawn to Paul Herz, a fellow graduate in literature, and to Libby - Paul's moody, Catholic-turned-Jewish wife. Gabe wonders: how to reconcile the ordered 'world of feeling' found in books with the anarchy of life, responsible adulthood, and his own love affairs? When Gabe meets Martha Reganhart, a spirited, outspoken, divorced mother of two, she poses the greatest challenge that he, and his moral enthusiasm, will face.
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Philip Roth's debut novella and Winner of the National Book Award for Fiction Goodbye, Columbus is the story of Neil Klugman and pretty, spirited Brenda Patimkin, he of poor Newark, she of suburban Short Hills, who meet one summer and fall into an affair that is as much about social class and suspicion as it is about love. The novella is accompanied by five short stories - sometimes iconoclastic, sometimes elegiac - that crackle with irreverent originality and display Roth's blazing early talent. Philip Roth's prize-winning first book instantly established its author's reputation as a writer of explosive wit, merciless insight and humane compassion for even the most self-deluding of his characters.
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Returning to his hometown to find that all has changed, Nathan Zuckerman - incontinent and impotent - comes back to New York, the city he left eleven years before. Walking the streets he quickly makes several connections that explode his carefully protected solitude. In a rash moment, he offers to swap homes with a young couple. And from the moment he meets them, Zuckerman wants to exchange his solitude for the erotic allure of the young woman Jamie, who draws him back to all that he thought he had left behind: intimacy, and the play of heart and body. Suddenly involved, as he never wanted or intended to be involved again, with love, mourning, desire and animosity, Zuckerman plays out an interior drama of vivid and poignant possibilities.
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Simon Axler is one of America's leading classical stage actors, but his talent - his magic - has deserted him. All the spontaneity and unthinking impulsiveness that made him great has been replaced by a paralysing self-consciousness. Overwhelmed, Axler's wife promptly leaves him, and Axler checks into a psychiatric hospital. It is only when he begins an affair with Pegeen - that Axler's regeneration (and then his final catastrophe) can begin.
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At sixty-four Mickey Sabbath is still defiantly antagonistic and exceedingly libidinous; sex is an obsession and a principle, an instrument of perpetual misrule in his daily existence. But after the death of his long-time mistress - an erotic free spirit whose great taste for the impermissible matches his own - Sabbath embarks on a turbulent journey into his past. Bereft and grieving, tormented by the ghosts of those who loved and hated him, he contrives a succession of farcical disasters that take him to the brink of madness and extinction...