Модель: TANK
RUR 375
P-35047 Soviet Propaganda Posters part III
Модель:
RUR 375
P-35023 Soviet Propaganda Posters WW II 1945 part III
Модель: TANK
RUR 375
P-35046 Soviet Propaganda Posters part II
Модель: TANK
RUR 375
P-35048 Soviet Propaganda Posters part IV
Модель:
RUR 375
P-35071 Soviet Propaganda Posters WW II part II
Модель: TANK
RUR 375
P-35024 Soviet Propaganda Posters WW II 1945 part IV
Модель: TANK
RUR 375
P-35021 Soviet Propaganda Posters WW II 1944 part IV
Модель: TANK
RUR 375
P-35020 Soviet Propaganda Posters WW II 1943 part IV
Модель:
RUR 375
P-35018 Soviet Propaganda Posters WW II 1942 part V
Модель:
RUR 375
P-35017 Soviet Propaganda Posters WW II 1942 part IV
Модель: TANK
RUR 375
P-35058 Soviet Commercial Posters 1937-1945 part III
Модель:
RUR 375
P-35086 Italian Propaganda Posters WW II part II
Модель:
RUR 375
P-35096 U. S. Propaganda Posters WW II part II
Модель:
RUR 375
P-35098 U. S. Propaganda Posters WW II part IV
Модель:
RUR 5681
Soviet propaganda against the demon drink: the latest in Fuel’s Russian pop culture series From the acclaimed authors of the Russian Criminal Tattoo Encyclopaedias and Soviet Space Dogs comes Alcohol, a glorious and exhaustive collection of previously unpublished Soviet anti-alcohol posters. The book includes examples from the 1960s through to the 1980s, but focuses on posters produced during Mikhail Gorbachev’s campaign initiated in 1985. These posters attempted to sober up Soviet citizens by forcing them to confront the issues associated with excessive alcohol consumption. This government-led urgency allowed the poster designers to present the anti-alcohol message in the most graphic terms: they depicted drunks literally trapped inside the bottle or being strangled by “the green snake.” Their protagonists are paralytic freeloaders and shirkers who always neglect their families, drive under the influence, produce substandard work, are smashed when pregnant and present a constant danger to fellow citizens. A two-part essay by renowned cultural historian Alexei Plutser-Sarno attempts to explain, from a Russian perspective, the reasons behind this phenomenon.