murdoch iris a severed head
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A complicated and comic story of dangerous love affairs Martin believes he can possess both a beautiful wife and a delightful lover. But when his wife, Antonia, suddenly leaves him for her psychoanalyst, Martin is plunged into an intensive emotional re-education. He attempts to behave beautifully and sensibly. Then he meets a woman whose demonic splendour at first repels him and later arouses a consuming and monstrous passion. How will he survive it?
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Two novels demonstrating how this grande dameof English literature produced sophisticated philosophical fiction without compromising her belief that literature was to be 'grasped by enjoyment'. Includes the Booker prize-winning The Sea, The Sea. An excellent addition to Everyman's growing number of Contemporary Classic omnibus editions. First published in 1961, The Severed Headis regarded is one of Iris Murdoch’s most entertaining works. A dark and ferocious comic masterpiece, the novel traces the turbulent emotional journey of Martin Lynch-Gibbon, a smug, well-to-do London wine merchant and unfaithful husband, whose life is turned inside out when his wife leaves him for her psychoanalyst. In The Sea, the Seathe landscape shifts to the seclusion of an isolated house on the edge of England’s North Sea, where Charles Arrowby, a big name in London’s glittering theatrical world, has retired to write his memoirs. Arrowby’s plans begin to unravel when he meets his first love and becomes haunted by the idea of rekindling his adolescent passion. The Severed Head and Booker prize-winner The Sea, the Sea are two of Iris Murdoch’s most accomplished novels, displaying all her talent for combining profundity with playful creativity. Both tragic and comic, brooding and hilarious, they brilliantly reveal how much our lives are governed by the lies we tell ourselves as well as our all-consuming desire for love, significance and, ultimately, redemption. Iris Murdoch was born in Dublin in 1919 of Anglo-Irish parents and was brought up in London, where her parents moved soon after she was born. She published her first novel, Under the Net, in 1954 and was instantly recognized as a major talent. She was a prolific writer and went on to publish more than 26 novels, as well as works of philosophy, plays and poetry. She read classics at Somerville College, Oxford and worked as assistant principal at the British Treasury during the war. In 1947 she studied philosophy at Cambridge University at a time when Ludwig Wittgenstein was a leading professor in the department. She returned to Oxford in 1948 and became a philosophy Fellow at St Anne’s College, a position she retained for the next twenty years, during which time she wrote several major philosophical works. In her novels, Iris Murdoch’s brilliant writing about the life of the mind, human consciousness and the way profound moral issues are played out in everyday life made her one of the most influential British writers of the twentieth century. She won the prestigious Booker Prize for her novel The Sea, the Sea in 1978, the Royal Society Literary Award in 1987 and was made a Dame of the British Empire in 1987. In 1995, aged 76, she was diagnosed with Alzheimer's disease. In that same year she published her last novel Jackson’s Dilemma. She died in 1999. Her struggle with Alzheimer’s and the devotion with which she was cared for by her husband, the scholar and critic John Bayley, were dramatized in the 2001 film Iris, in which she was portrayed by Kate Winslet and Judi Dench.
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Iris Murdoch conjures a murky London setting for a story of a brilliant and flawed man hoping for redemption Saved from a delinquent childhood by education, cheated out of Oxford by a tragic love tangle, Hilary Burde cherishes his obsessive guilt and ekes out a living in a dull civil service job. When the man whom he has harmed and betrayed reappears as head of his department, Hilary hopes for forgiveness, even for redemption and a new life, but finds himself haunted by a ghostly repetition.
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RUR 818
So begins a love letter to life, a resuscitation of sorts, encountering vibrant characters from Saul Bellow, to Philip Larkin to Iris Murdoch and Elizabeth Jane Howard, and to the person who captivated Amis' twenties, the alluringly amoral Phoebe Phelps.
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So begins a love letter to life, a resuscitation of sorts, encountering vibrant characters from Saul Bellow, to Philip Larkin to Iris Murdoch and Elizabeth Jane Howard, and to the person who captivated Amis' twenties, the alluringly amoral Phoebe Phelps.
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RUR 2660
Iris Murdoch really knows how to write, can tell a story, delineate a character, catch an atmosphere with deadly accuracy John Betjeman A revolver shot rings through a Whitehall office one hot afternoon in the middle of an English summer. A Government official has apparently shot himself, but the circumstances are questionable - prompting Octavian Gray, head of the department in which the dead man worked, to investigate. Lawyer John Ducane is charged with the task, interviewing other civil servants by day, and by night attempting repeatedly - and unsuccessfully - to break up with his mistress. When Ducane travels to Gray's Dorset home everything becomes even more mysterious and nothing is quite as it seems.
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In this dark comedy of errors, Iris Murdoch portrays the mischief wrought by Julius, a cynical intellectual who decides to demonstrate through a Machiavellian experiment how easily loving couples, caring friends, and devoted siblings can betray their loyalties. As puppet master, Julius artfully plays on the human tendency to embrace drama and intrigue and to prefer the distraction of confrontations to the difficult effort of communicating openly and honestly.
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RUR 1315
The Witch's Head is the second novel by H Rider Haggard, which he wrote just prior to King Solomon's Mines. Zulu magic comes to the British Fenlands, as the severed head of a sorcerer casts a spell from beyond the grave. The story sweeps from England to the South African setting Haggard knew well from his years with Britain's colonial service.
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RUR 751
The Witch's Head is the second novel by H Rider Haggard, which he wrote just prior to King Solomon's Mines. Zulu magic comes to the British Fenlands, as the severed head of a sorcerer casts a spell from beyond the grave. The story sweeps from England to the South African setting Haggard knew well from his years with Britain's colonial service.
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RUR 199
The Witch's Head is the second novel by H Rider Haggard, which he wrote just prior to King Solomon's Mines. Zulu magic comes to the British Fenlands, as the severed head of a sorcerer casts a spell from beyond the grave. The story sweeps from England to the South African setting Haggard knew well from his years with Britain's colonial service.
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RUR 751
The Witch's Head is the second novel by H Rider Haggard, which he wrote just prior to King Solomon's Mines. Zulu magic comes to the British Fenlands, as the severed head of a sorcerer casts a spell from beyond the grave. The story sweeps from England to the South African setting Haggard knew well from his years with Britain's colonial service.
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RUR 2660
Iris Murdoch's unique study of one of the 20th century's foremost thinkers Sartre's powerful political passions were united with a memorable literary gift, placing him foremost among the novelists, as well as the philosophers, of our time. Iris Murdoch's pioneering study analyses and evaluates the different strands of Sartre's rich and complex oeurve. Combining the objectivity of the scholar with a profound interest in contemporary problems, Iris Murdoch discusses the tradition of philosophical, political and aesthetic thought that gives historical authenticity to Satre's achievement, while showing the ambiguities and dangers inherent in his position.
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RUR 3145
'Iris Murdoch has written a book which concerns all of us as human beings. There are pages here that one wants to embrace her for, pages that say things of fundamental human importance in a way that they have never quite been said before' Sunday Telegraph The decline of religion and ever increasing influence of science pose acute ethical issues for us all. Can we reject the literal truth of the Gospels yet still retain a Christian morality? Can we defend any 'moral values' against the constant encroachments of technology? Indeed, are we in danger of losing most of the qualities which make us truly human? Here, drawing on a novelists insight into art, literature and psychology, Iris Murdoch conducts an ongoing debate with major writers, thinkers and theologians - from Augustine to Wittgenstein, Shakespeare to Sartre, Plato to Derrida - to provide fresh and compelling answers to these crucial questions.
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RUR 2605
It's time to rethink our attitudes to work. For too long we have convinced ourselves that the only jobs worth doing involve sitting at a desk. Generations of school-leavers head for university lacking the skills to fix or even understand the most basic technology. And yet many of us are not suited to office life, while skilled manual work provides one of the few and most rewarding paths to a secure living. Drawing on the work of our greatest thinkers, from Aristotle to Heidegger, from Karl Marx to Iris Murdoch, as well as on his own experiences as an electrician and motorcycle mechanic, Matthew Crawford's irreverent and inspiring manifesto will change the way you think about work forever.
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It all begins the night a leaflet comes through the door of unsuccessful novelist Herman Orff, promising a magical cure for writer's block. The strange treatment plunges him into a hallucinatory London dreamworld populated by figures mythical and real: a severed talking head, Vermeer's girl with a pearl earring, his lost love Luise and, beneath it all, the Kraken awaiting. As Herman will discover, creating art is a tough business.
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Iris Murdoch's witty, atmospheric subversion of the Victorian Gothic novel WITH AN INTRODUCTION BY STEPHEN MEDCALF When Marian Taylor takes the post of governess at Gaze castle, remote house on a beautiful but desolate coast, she finds herself confronted with many strange mysteries. What kind of crime or catastrophe in the past still keeps the house under a brooding spell? And is her employer Hannah an innocent victim, a guilty woman, a lunatic, or a witch?