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RUR 530

The most widely staged dramatist after Shakespeare, Chekhov left a deep mark both on the development of Russian literature and world theatre, with plays that were remarkable not just for their dialogue but their atmosphere and the tensions expressed between the lines. Collected in this volume are Chekhov s four most celebrated plays - The Seagull, Uncle Vanya, Three Sisters and The Cherry Orchard - in a brand-new translation by Hugh Aplin. In these personal stories of unfulfilled love, failed ambition and existential ennui, set against a background of unsettling social and economical change, the reader can appreciate the groundbreaking qualities of Chekhov s theatrical genius. .

Модель:

RUR 530

The most widely staged dramatist after Shakespeare, Chekhov left a deep mark both on the development of Russian literature and world theatre, with plays that were remarkable not just for their dialogue but their atmosphere and the tensions expressed between the lines. Collected in this volume are Chekhov s four most celebrated plays - The Seagull, Uncle Vanya, Three Sisters and The Cherry Orchard - in a brand-new translation by Hugh Aplin. In these personal stories of unfulfilled love, failed ambition and existential ennui, set against a background of unsettling social and economical change, the reader can appreciate the groundbreaking qualities of Chekhov s theatrical genius. .

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RUR 1594

The most widely staged dramatist after Shakespeare, Chekhov left a deep mark both on the development of Russian literature and world theatre, with plays that were remarkable not just for their dialogue but their atmosphere and the tensions expressed between the lines. Collected in this volume are Chekhov's four most celebrated plays - The Seagull, Uncle Vanya, Three Sisters and The Cherry Orchard - in a brand-new translation by Hugh Aplin. In these personal stories of unfulfilled love, failed ambition and existential ennui, set against a background of unsettling social and economical change, the reader can appreciate the groundbreaking qualities of Chekhov's theatrical genius.

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RUR 549

These critically hailed translations of The Seagull, Uncle Vanya, The Three Sisters and the other Chekhov plays are the only ones in English by a Russian-language scholar who is also a veteran Chekhovian actor.Without compromising the spirit of the text, Paul Schmidt accurately translates Chekhov's entire theatrical canon, rescuing the humor "lost" in most academic translations while respecting the historical context and original social climate.Schmidt's translations of Chekhov have been successfully staged all over the U.S. by such theatrical directors as Lee Strasberg, Elizabeth Swados, Peter Sellars and Robert Wilson. Critics have hailed these translations as making Chekhov fully accessible to American audiences. They are also accurate -- Schmidt has been described as "the gold standard in Russian-English translation" by Michael Holquist of the Russian department at Yale University.

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RUR 549

These critically hailed translations of The Seagull, Uncle Vanya, The Three Sisters and the other Chekhov plays are the only ones in English by a Russian-language scholar who is also a veteran Chekhovian actor.Without compromising the spirit of the text, Paul Schmidt accurately translates Chekhov's entire theatrical canon, rescuing the humor "lost" in most academic translations while respecting the historical context and original social climate.Schmidt's translations of Chekhov have been successfully staged all over the U.S. by such theatrical directors as Lee Strasberg, Elizabeth Swados, Peter Sellars and Robert Wilson. Critics have hailed these translations as making Chekhov fully accessible to American audiences. They are also accurate -- Schmidt has been described as "the gold standard in Russian-English translation" by Michael Holquist of the Russian department at Yale University.

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RUR 2084

Five masterful dramatic works from one of the world's best-loved playwrights, including The Seagull-now a major motion picture starring Saoirse Ronan, Elizabeth Moss, and Annette Bening At a time when the Russian theatre was dominated by formulaic melodramas and farces, Chekhov created a new sort of drama that laid bare the everyday lives, loves and yearnings of ordinary people. Ivanov depicts a man stifled by inactivity and lost idealism, and The Seagull contrasts a young man's selfish romanticism with the stoicism of a woman cruelly abandoned by her lover. With 'the scenes from country life' of Uncle Vanya, his first fully mature play, Chekhov developed his own unique dramatic world, neither tragedy nor comedy. In Three Sisters the Prozorov sisters endlessly dream of going to Moscow to escape the monotony of provincial life, while his comedy The Cherry Orchard portrays characters futilely clinging to the past as their land is sold from underneath them. In this edition Peter Carson's moving translations convey Chekhov's subtle blend of comedy, tragedy and psychological insight, while Richard Gilman's introduction examines how Chekhov broke with theatrical conventions and discusses each play in detail. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

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RUR 2567

The Lady with the Little Dog and Other Stories 1896-1904 is an enchanting collection of tales which showcase Anton Chekhov at the height of his power as a writer. This Penguin Classics edition is translated by Ronald Wilks with an introduction by Paul Debreczeny. In the final years of his life, Chekhov produced some of the stories that rank among his masterpieces, and some of the most highly-regarded works in Russian literature. The poignant 'The Lady with the Little Dog' and 'About Love' examine the nature of love outside of marriage - its romantic idealism and the fear of disillusionment. And in stories such as 'Peasants', 'The House with the Mezzanine' and 'My Life' Chekhov paints a vivid picture of the conditions of the poor and of their powerlessness in the face of exploitation and hardship. With the works collected here, Chekhov moved away from the realism of his earlier tales - developing a broader range of characters and subject matter, while forging the spare minimalist style that would inspire such modern short-story writers as Ernest Hemingway and William Faulkner. Ronald Wilks's translation is accompanied by an introduction in which Paul Debreczeny discusses the themes that Chekhov adopted in his mature work. This edition also includes a publishing history and notes for each story, a chronology and further reading. Anton Chekhov (1860-1904) was born in Taganrog, a port on the sea of Azov. In 1879 he travelled to Moscow, where he entered the medical faculty of the university, graduating in 1884. During his university years, he supported his family by contributing humorous stories and sketches to magazines. He published his first volume of stories, Motley Tales, in 1886, and a year later his second volume In the Twilight, for which he received the Pushkin Prize. Today his plays, including Uncle Vanya, The Seagull, and The Cherry Orchard are recognised as masterpieces the world over.

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RUR 3126

The Steppe and Other Stories 1887-91 is a collection that reveals Anton Chekhov's evolution from a novice writer to a master of short narrative form. This Penguin Classics edition is translated by Ronald Wilks with an introduction by Donald Rayfield. This collection of Chekhov's finest early writing is headlined by 'The Steppe', which established his reputation, telling the unforgettable tale of a boy's journey to a new school in Kiev, travelling through majestic landscapes towards an unknown destiny. 'Gusev' depicts an ocean voyage, where the sea takes on a terrifying, primeval power; 'The Kiss' portrays a shy soldier's failed romantic encounter; and in 'The Duel' two men's enmity ends in farce. Haunting and highly atmospheric, all the stories in this volume show a writer emerging from the shadow of his masters - great Russian writers such as Leo Tolstoy, Ivan Turgenev and Nikolai Gogol - and discovering his own voice. They also illustrate Chekhov's genius for evoking the natural world and exploring inner lives. This is the first of three chronological volumes of Chekhov's short stories in Penguin Classics. Ronald Wilks's delicate translation is accompanied by a chronology and explanatory notes. This edition also contains an introduction and annotated bibliography by internationally renowned Chekhov scholar Donald Rayfield. Anton Chekhov (1860-1904) was born in Taganrog, a port on the sea of Azov. In 1879 he travelled to Moscow, where he entered the medical faculty of the university, graduating in 1884. During his university years, he supported his family by contributing humorous stories and sketches to magazines. He published his first volume of stories, Motley Tales, in 1886, and a year later his second volume In the Twilight, for which he received the Pushkin Prize. Today his plays, including 'Uncle Vanya', 'The Seagull', and 'The Cherry Orchard' are recognised as masterpieces the world over.

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RUR 2605

Ward No. 6 and Other Stories 1892-1895 collects stories which show Anton Chekhov beginning to confront complex, ambiguous and often extreme emotions in his short fiction. This Penguin Classics edition is translated with notes by Ronald Wilks, and an introduction by J. Douglas Clayton. These stories from the middle period of Chekhov's career include - influenced by his own experiences as a doctor - 'Ward No. 6', a savage indictment of the medical profession set in a mental hospital; 'The Black Monk', portraying an academic who has strange hallucinations, explores ideas of genius and insanity; 'Murder', in which religious fervour leads to violence; while in 'The Student', Chekhov's favourite story, a young man recounts a tale from the gospels and undergoes a spiritual epiphany. In all the stories collected here, Chekhov's characters face madness, alienation and frustration before they experience brief, ephemeral moments of insight, often earned at great cost, where they confront the reality of their existence. This is the second in three chronological volumes of Chekhov's short stories in Penguin Classics. Ronald Wilks's lucid translation is accompanied by an introduction discussing the increasingly experimental style of Chekhov's writing during this time. This edition also contains an annotated bibliography, chronology and explanatory notes. Anton Chekhov (1860-1904) was born in Taganrog, a port on the sea of Azov. In 1879 he travelled to Moscow, where he entered the medical faculty of the university, graduating in 1884. During his university years, he supported his family by contributing humorous stories and sketches to magazines. He published his first volume of stories, Motley Tales, in 1886, and a year later his second volume In the Twilight, for which he received the Pushkin Prize. Today his plays, including 'Uncle Vanya', 'The Seagull', and 'The Cherry Orchard' are recognised as masterpieces the world over.

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RUR 3129

Anton Chekhov's only full-length novel, this Penguin Classics edition of The Shooting Party is translated and edited by Ronald Wilks, with an introduction by John Sutherland. The Shooting Party centres on Olga, the pretty young daughter of a drunken forester on a country estate, and her fateful relationships with the men in her life. Adored by Urbenin, the estate manager, whom she marries to escape the poverty of her home, she is also desired by the dissolute Count Karneyev and by Zinovyev, a magistrate, who knows the secret misery of her marriage. When an attempt is made on Olga's life in the woods, it seems impossible to discover the perpetrator in an impenetrable web of lust, deceit, loathing and double-dealing. One of Chekhov's earliest experiments in fiction combines the classic elements of a gripping mysterywith a short story of corruption, concealed love and fatal jealousy. Ronald Wilks's brilliant new translation of this work is the first in over seventy years. It brilliantly captures the immediacy of the dialogue that Chekhov was later to develop into his great dramas. This edition also includes an introduction by John Sutherland, suggestions for further reading and explanatory notes. Anton Chekhov (1860-1904) was born in Taganrog, a port on the sea of Azov. In 1879 he travelled to Moscow, where he entered the medical faculty of the university, graduating in 1884. During his university years, he supported his family by contributing humorous stories and sketches to magazines. He published his first volume of stories, Motley Tales, in 1886, and a year later his second volume In the Twilight, for which he received the Pushkin Prize. Today his plays, including 'Uncle Vanya', 'The Seagull', and 'The Cherry Orchard' are recognised as masterpieces the world over.

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RUR 1002

Anton Chekhov's popularity in the West is without parallel for a foreign writer. He has been absorbed into our culture, and accepted as one of our own. His plays lend themselves easily to the stage, calling for actors with intelligence and common sense rather than a dramatic voice or histrionic skills. He takes from everyday life themes of frustration which apply to us all - the difficulty of carving out a happy existence, the problems of love, the fading of hope, the universal feeling that time passes and we never quite get things right. This seems pessimistic, and yet Chekhov claimed he was writing comedy. Readers, actors and directors must decide for themselves which way to play these pieces. They are full of sadness, but a sadness described as the 'darkness of the last hour before the dawn'. Whether tragic or comic, however, they are works of the first importance. "The Cherry Orchard" has been described as 'the best play since Shakespeare', "Three Sisters" as 'the best play in the world'.

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RUR 2079

A play ought to be written in which people should come and go, dine, talk of the weather or play cards... because that is what happens in real life - Anton Chekhov Chekhov demolished the conventions of traditional Russian theatre and created something new that proved hugely influential. His aim was to create a slice of life with naturalistic settings, mundane conversation and acting that brought the everyday on stage. The Seagull, 1895, is the first of his four major plays. The four main characters, guests on a tranquil estate in the Russian countryside, are Nina, a beautiful young actress who can't act; Konstantin, a talentless playwright, and his mother Irina Arkadina, a fading theatrical diva; finally, there is successful writer of middling books, Boris Trigorin. Konstantin shoots a seagull and, much to her horror and disgust, gives it to Nina as the set-up becomes a recipe for romantic and artistic fallings-out, compounded when they all meet up a second time. Although Chekhov called this a comedy, there's nothing cheerful here. By always snatching at love and success, his characters block out happiness; the author is satirizing human foibles which we soon recognize in ourselves. When the play was first performed, it was booed off stage. In 1898, after the production by Stanislavski that marked the birth of modern theatre, it became a major triumph and Chekhov took his place in history.

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RUR 688

On an isolated country estate, Sonia and her Uncle Vanya are committed to a life of ceaseless toil. But when the ageing invalid Serebriakov and his bewilderingly beautiful young wife take up residence, a yearning envelops the household and disturbs the accustomed tedium. Friend and confidant Astrov grows lovelorn, Sonia's heart breaks and even Vanya falls under the spell. And so they fight, bond, belittle, lament, make peace and contemplate the odd murder.Featuring sex, comedy and unbearable sadness in nineteenth-century Russia, this version of Anton Chekhov's Uncle Vanya was written and directed by Terry Johnson and opened at Hampstead Theatre, London, in November 2018.

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RUR 688

On an isolated country estate, Sonia and her Uncle Vanya are committed to a life of ceaseless toil. But when the ageing invalid Serebriakov and his bewilderingly beautiful young wife take up residence, a yearning envelops the household and disturbs the accustomed tedium. Friend and confidant Astrov grows lovelorn, Sonia's heart breaks and even Vanya falls under the spell. And so they fight, bond, belittle, lament, make peace and contemplate the odd murder.Featuring sex, comedy and unbearable sadness in nineteenth-century Russia, this version of Anton Chekhov's Uncle Vanya was written and directed by Terry Johnson and opened at Hampstead Theatre, London, in November 2018.

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RUR 745

"Oh, good God," he kept saying with great relish. "Good God..." 'Gooseberries' is accompanied here by 'The Kiss' and 'The Two Volodyas' - three exquisite depictions of love and loss in nineteenth-century Russia by Chekhov, the great master of the short story form. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Anton Chekhov (1860-1904). Chekhov's works available in Penguin Classics are The Steppe and Other Stories, Ward No. 6 and Other Stories, The Lady with the Little Dog and Other Stories, The Shooting Party, Plays and A Life in Letters.

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RUR 1685

Three sisters. Three ships. One heartbreaking story. 1911. As Emma packs her trunk to join the ocean liner Olympic as a stewardess, she dreams of earning enough to provide a better life for both her sisters. With their photograph tucked away in her luggage, she promises to be back soon – hoping that sickly Lily will keep healthy, and wild Ruby will behave. But neither life at sea nor on land is predictable, and soon the three sisters’ lives are all changed irrevocably… Now. When Harriet finds her late grandmother’s travelling trunk in the attic, she’s shocked to discover a photo of three sisters inside – her grandmother only ever mentioned one sister, who died tragically young. Who is the other sister, and what happened to her? Harriet’s questions lead her to the story of three sister ships, Olympic, Titanic and Britannic, and a shattering revelation about three sisters torn apart… Don’t miss the latest novel from the USA Today bestselling author of The Secret of the Chateau. Perfect for fans of The Beekeeper’s Promise and The Forgotten Village!